Molkarin

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Molkarin exposes the oppressive working conditions of thousands of domestic workers in Pune. Through re-enactments of significant moments of the original process of unionising, the film narrates the coming together of women workers and union activists to form the Pune Shahar Molkarin Sanghatana (Pune City Domestic Workers Union) to fight for their rights. Their unionising process, reflections on their work conditions and the myriad new questions raised that went beyond issues of work and payment, drew the attention of many. Feminist activists from different backgrounds were inspired, joined and supported the struggle. The Yugantar collective too recognised this as a moment that allowed deeper explorations of feminist consciousness across class and caste. As Yugantar’s first film, Molkarin inaugurates the group’s focus on the power of processes of collectivization, through gathering on the streets, spontaneous strike actions, organised assemblies and long meetings - sitting together sharing experiences, debating, strategizing, arguing and laughing. Domestic workers, mainly Dalit and rural migrants to the city, reflect on their low payment, their lack of security and the normalised humiliating behaviour of their employers, exposing also the participation of middle class women in working class women’s oppression.

ABOUT THE FILM

FILM TEAM

  • FILM BY
  • member Abha Bhaiya
  • memberDeepa Dhanraj
  • member Meera Rao
  • member Navroze Contractor
  • Digital Restoration
  • Arsenal – Institut für Film
und Videokunst
  • Production
  • A.S. Natraj
  • Sound
  • G.V. Somashekhar
  • WITH Thanks TO
  • Pune Shahar Molkarin Sanghatana
  • D.J. Khilare.
  • Leela Bhosale
  • Lata Bise
  • Mr Kerkar
  • TRANSLATION (KANNADA)
  • Chitra Iyer
  • Kalpana Chakravarthy (consultant)
  • VOICE ARTISTS (KANNADA)
  • Deepthy Chandrashekhar
  • Kiran Naik
YUGANTAR FILM COLLECTIVE

“When Subhadra asked for a raise, her mistress hired another worker for a lower wage without telling her.”

“It was the 10th February 1980. Raising slogans about the strike we came onto the streets. Other women stopped work and joined us.”

“Because we do their housework they get free time.”

“Why are domestic workers paid so little? The main reason is that the work domestic workers do is traditionally considered women's work. Society has never given it any value. For work that society doesn't value, how much value will you give it?”

slogan-bg

Gallery

More about the film

Background

In February 1980 Khandarebai, a domestic worker in Pune, fell ill and went on leave. When she returned she was shocked to find that she had been replaced by another woman because she had extended her leave by two days. Upset at the arbitrary dismissal she decided to talk to all the domestic workers on that street to support her in confronting the employer and the woman who had replaced her. After the employer rejected their appeal to give Khandarebai her job back, women began to gather and within an hour 150 women had struck work to protest against the unfair dismissal. The strike was spontaneous and the women had no prior experience in political organising. Trade Union leaders like Leela Bhosale and B.J Kerkar, who belonged to left parties like Lal Nishaan, and members of women's organisations like Medha Thatte helped in conducting daily meetings where 500-600 women would gather. As reports of the strike and the meetings spread, domestic workers across the city joined the strike on their own.

It was a historic strike, for the first time in the country domestic workers had gone on strike claiming an identity as workers.

Women spoke about the high costs of living and  low wages which had never been raised, exhausting work, sexual harassment and caste discrimination at work. Many of them were single women who had been widowed or abandoned and were now supporting the whole family. Work and wages were defined by caste. Dalit women who washed clothes, utensils and swept floors  and cleaned the toilets were paid the least while middle caste women who were allowed to enter the kitchen as cooks were often paid three or four times the amount. The strike led to the formation of the Pune Shahar Molkarin Sanghatana.

As domestic workers were not protected by any labour legislation at the time they decided to propose a wage structure and a list of demands. For the large part due to the pressure of the Union domestic workers were able to negotiate wages and conditions of work. Paid weekly days off, creating a rate card that sets minimum wages for cleaning utensils, sweeping the floor, washing laundry depending on the number of members in the family and the square footage of the area to be swept. Bonus, paid sick leave and 15 per cent contribution to a provident fund. Apart from these demands that were limited to wages, after the strike members of the union were able to challenge and reject the patron-client relationship which was based on caste. Identifying how caste functions in the workplace, many women spoke about how they told their employers that they didn't want to accept left-over food or tea served to them in separate cups any more. This could also be related to the history and influence of the anti-caste movements in Maharashtra and its rejection of all forms of servitude.
After the Pune Shahar Molkarin Sanghatana was formed two more domestic workers unions were set up in Maharashtra. It is still a vibrant organisation continuing to defend the rights of its members.

Reflections

“It had to be a consultative process. The collective was not only the four people who were filming but it’s a broader discussion with the women, in the union, and out of those discussions you come to a consensus and then we technically try and facilitate that.”

00:00 /4:20
Deepa Dhanraj

Deepa Dhanraj on the process of making their first film Molkarin through continuous consultation at each step of the making of the film, during Seminar “Engaging Cinema: re-viewing collective practices”, Berlin, June 2013

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“It was a question of finding groups of many different political formations to reach out to domestic workers. And these were 16mm prints, so we had to get a projector, electricity, find a large enough space – most of the time the screenings would happen on the street.”

00:00 /2:44
Deepa Dhanraj

Deepa Dhanraj on screenings as platform for questions and lively debate, very different from regular cinema screenings, during Seminar “Engaging Cinema: re-viewing collective practices”, Berlin, June 2013

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“The film released women to speak and through that helped spread the spirit and courage for organising. There is no literal cause and effect but the idea that you can speak openly in a group, this initial process, creates its own energy and momentum, different with each screening.”

00:00 /2:11
Deepa Dhanraj

Deepa Dhanraj on process of consensus and consent as process and the concept of women’s voice as radical at the time, during Seminar “Engaging Cinema: re-viewing collective practices”, Berlin, June 2013 

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“Women’s contribution to movements was invisibilized and we knew little about the working class movements at the time, but their conditions and challenges were very significant issues for carving the history of the nation. We became very politicised through the practice of research and filming”

00:00 /8:52
Abha Bhaiya Nicole Wolf

Abha Bhaiya reflects on the coming together of the Yugantar collective and the making of their first film Molkarin. Abha Bhaiya in conversation with Nicole Wolf (March 2013), presented at Seminar “Engaging Cinema: re-viewing collective practices”, Berlin, June 2013, pre-recorded at Tara Femnist Retreat Centre, March 2013. 

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Research & Resources

  • Nicole Wolf: “Metabolisms of the Feminist Archive and the Nowness of Yugantar”. The texts includes a discussion of Molkarin amongst other Yugantar films
  • Sujata Gothoskar: New Initiatives in Organising Strategy in the informal sector. – Case study of domestic workers’ organising. Bangkok 2005.
  • Pune Domestic Workers on the March
  • Organising Domestic Workers in Pune City
  • Making the Personal Political: The First Domestic Workers’ Strike in Pune, Maharashtra

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