Tambaku Chaakila Oob Aali

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Tambaku Chaakila Oob Aali traces the history and strike actions of the all women trade union of over 3000 tobacco workers in Nipani (Karnataka). It was made in collaboration with female tobacco factory workers. The film documents, re-enacts and takes forward one of the largest movements of unorganised labour of its time and context which sparked unionising processes across Karnataka and Maharashtra throughout the 1980s. Attracted by the power of these large scale strike actions provoked by women workers and following the spirit of mobilising for the left labour and the women’s movement the Yugantar film collective embarked on their 2nd film. The collective spent four months with the women tobacco factory workers in Nipani, listening to their accounts of exploitative working conditions, discussing strategies for unionising and concrete steps to broaden solidarities across factories for massive strike actions. Through this collaboration, the film team was able to film circumstances inside factories hitherto unrepresented in film as they followed the women workers’ leads as to what, where and how their actions should be recorded. The film collective developed a loose script through the workers’ narratives. Yugantar’s continuous commitment to the complexity of political friendships and how to ‘stand with’ provoked a then pioneering collaborative filmmaking practice embodied in large scale re-enactments of protests, a voice-over as pluriverse testimony and the production of the first screen presence of working class women on screen organising and ‘speaking to power’. This film is a powerful example of a feminist third cinema, a factory film, also called a ‘strike manual’ by current union activists.

ABOUT THE FILM

FILM TEAM

  • FILM BY
  • member Abha Bhaiya
  • memberDeepa Dhanraj
  • member Meera Rao
  • member Navroze Contractor
  • Digital Restoration
  • Arsenal – Institut für Film
und Videokunst
  • Production
  • A.S. Natraj
  • Sound
  • G.V. Somashekhar
  • WITH Thanks TO
  • Nipani Tobacco Workers
  • TRANSLATION (KANNADA)
  • Chitra Iyer
  • Kalpana Chakravarthy (consultant)
  • TRANSLATION (HINDI)
  • Abha Baiya
  • VOICE ARTISTS (KANNADA)
  • Deepthy Chandrashekhar
  • Lakshmisree Bhagawathar
  • Kiran Naik
  • VOICE ARTISTS (HINDI)
  • Vivek
  • Mallika Prasad
YUGANTAR FILM COLLECTIVE

“Workers will not be afraid of your stick. We will continue to sit on the highway. Victory to the workers, victory to the union.”

—Sushila Shitole, tobacco worker and participant in the Shetkar Andolan.

“It is suffocating with the tobacco dust, we are harassed by the repression of the owners, but now we feel strong, because of the union.”

—Akkatai Kamble, woman worker turned activist, composed and sung militant songs during public meetings.

“A dog sits in one place to eat. But we don’t have this good fortune. We wake up early when the cock crows, clean the house, prepare the rotis, wake up the children. We wrap some pieces of rotis in a cloth and eat on our way to work.”

“If you reach the factory gate by 8a.m it’s ok. But if you are 5 minutes late the manager won’t let you in. We spend the whole day sitting outside in the hot sun.”

“We have won! All our demands have been met. 5 rupees a day! For an 8 hour workday! We felt as if we had been reborn, a new life. Now we could sit calmly and eat hot roti.”

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Gallery

More about the film

Background

1980: In the I.A. Kurbetty Tobacco Factory in Nipani (Belgaum district in the state of Karnataka), the clerk denied entry to some women workers for coming in late after the lunch break. The women pleaded that they would compensate for the time lost by working extra hours but the factory owner abused them and refused to let them in. The women sat in protest outside the gate and the news spread like wildfire through the town. About 5000 women work processing tobacco by hand in 79 factories in Nipani. The working conditions in the factories are brutal, pounding tobacco by hand in ill ventilated sheds women inhale tobacco dust constantly. Sixteen hour work days, and as no industrial laws apply, wages flout the minimum wage norm. The majority of women are Dalit and Devdasis, caste based discrimination at work is high.
The news of women sitting in protest was the spark that ignited resentment that had been brewing for a long time. Thousands of women from other factories went on strike and joined the Kurbetti factory women.They consulted Subhash Joshi, a male trade union leader of the Beedi workers Union, and in discussions that went late into the night, they decided to demand a minimum wage of 5 rupees for an 8 hour work day. Women sat striking day and night. People in Nipani town and the villages around gave generously, food grains, vegetables, firewood and a community kitchen was set up on site. Even men cooperated in cooking and looking after children at home. A historic procession of women tobacco workers took place as for the first time 7000 women marched through Nipani town demanding their rights as workers under the Factory Act.
On the fourth day, the labour officer arrived and for the first time in Nipani, Tobacco factory owners sat across the table from women workers and accepted their demands. After the successful resolution of the strike The Chikodi Taluka Kamgar Mahasabha (Union) was formed in 1980, inspiring other women workers in Karnataka and Maharashtra.

Reflections

“Now when I look back at it, in every aspect of that process it was really working on a position of creating political affiliations... How do we present our project to the people we want to film with? What we had to create every time was where you are politically and where they are and what is our meeting ground. Is there trust? Is there political trust?... That had to be negotiated. Which way could they use the film, or not? Did they want their situation recorded or not? So it was developing a documentary practice, and it was creating theory about those politics while we did the practice. How do you frame women as workers?”

Deepa Dhanraj Nicole Wolf

Deepa Dhanraj in conversation with Nicole Wolf, 19 December 2009

“7000 women involved in bidi making fought for the increase from 5 rupees as daily wage, to just a 2 Rupee increase. After a huge struggle they won. But the impact of their strike benefitted 100.000s of workers nationally. The intimations against these women were immense.”

00:00 /10:29
Nicole Wolf Deepa Dhanraj

Deepa Dhanraj on the collaborative making of Tambaku Chaakila Oob Aali, including access to filming in the tobacco factories, discussions during rough cut screenings, highway screenings for 7000 workers and more, censorship from outside and on the collective’s own political limitations at the time. Recording Seminar “Engaging Cinema: re-viewing collective practices”, Berlin, June 2013

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“We inherited these colonial film institutions with the idea that documentary images would serve the political masters of the time. They presented the poor as victims, as benefactors, they don’t speak. When we worked with people we had to really think, which images we can make.”

00:00 /2:42
Deepa Dhanraj Nicole Wolf

Deepa Dhanraj reflects on the documentary image context in India at the time and how to create another gaze through collective filmmaking. 
Recording Seminar “Engaging Cinema: re-viewing collective practices”, Berlin, June 2013

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Research & Resources

  • “Projecting Tambaku Chaakila Oob Ali. Reflections towards a versatile Archive of political cinemas.” in: Raqs Media Collective and Shveta Sarda (eds), sarai-Reader 09: Projections, sarai: New Delhi. 2013.
  • “Metabolisms of the Feminist Archive and the Nowness of Yugantar (1980–83)” in: Marg. A Magazine of the Arts, special issue: Documentary Now, Ravi Vasudevan (ed.), Vol. 70, No.1, 2018.
  • Chaya Datar: Waging Change : Women Tobacco Workers in Nipani Organise. New Delhi: Kali for Women, 1989.
  • Chaya Datar: Divisions and Unity, Dynamics of Organising Bidi and Tobacco Workers at Nipani, in: Manushi. A Journal about Women and Society, no. 39, 1989, p. 29-32.
  • Chaya Datar: “Where do i belong”. Profile of a Union worker. In: Manushi, A Journal about Women and Society, no 39, 1989, p. 32-33.
  • Further research material (recordings and slides) can be found with Sparrow. Sound and Picture Archives of Research on Women, based in Mumbai, see also
  • Anil Avachat: Bidi Workers of Nipani, in: Economic and Political Weekly, Vol. 13, No. 30 (Jul. 29, 1978), pp. 1203-1205

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